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Hello, my name is Micah Baldwin and this is my tumblog. It will mirror the random, fragmented thoughts and writings that seem to come with relative frequency. I try to write a bit more completely at my blog Learn to Duck.
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The Prom King badge marsbot made for prom2010
dpstyles and Mars and HarryH were very close to making the Naveen Birthday Badge unlockable for the party… buuuutttt last minute bug about an hour before we left threw a monkeywrench into their masterplan.
(interesting sidenote on foursquare - as of about two weeks ago, we can’t just take the site down whenever we want, we can’t just update things as we see… we’ve got so much traffic from all over the world, that finding windows to do things so that the smallest number of people possible are affected is becoming challenging)
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Whenever that window of opportunity opens up I think all attendees should receive this AWESOME badge ex post facto.
I so agree! Total Awesomeness.
Why so evil?
The Tyrant Clock, designed by Alice Wang has to be the meanest alarm clock concept ever invented.
The clock syncs up with your cell phone, randomly goes through your contact list, and then calls someone different every three minutes after your intended wake up time. It displays in a large size the name of the person who’s about to get their own wake up call from you. The potential for it to call someone and in some way completely ruin your life is huge. A disaster waiting to happen, which would make it the ideal alarm clock. Don’t want your boss, mom, or mistress awoken at some ungodly hour? Then get your butt out of bed and turn the Tyrant off.
I need this.
Life is Sweet - theSTART
Pretty sure that this is a song that resonates many of the women I have ever dated…
“well it takes a special kind of girl just to tolerate the things you do”
haha.
Forest Fire - Fortune Teller
I love finding those wonderful songs that have been on my computer for more than a year but that I never really took the time to listen to. I’m sure there’s a ton of gems I’m missing out on that are only a few clicks away. Kind of a shame, but then again, look at how much music the world is producing each year and how easily distributed and acquired it is. We’re living in the ultimate music buffet. Thanks internet!
music discovery is my favorite thing.
"As Internet culture has grown, we’ve come to romanticize certain kinds of unmediated, old-fashioned “human” interactions. But this fantasy ignores how much of normal social interaction is fleeting, bite-size, instant, tweetlike. Humans have always talked to each other via a kind of analog Twitter. These new technologies just get us there with maximum efficiency. Meeting a new person is thrilling, in a primal way—your attention focuses completely, if only for a nanosecond, to see if the creature in front of you has the power to change your life for better or worse. ChatRoulette creates this moment over and over again; it privileges it over actual conversation. Eventually, I realized that clicking “next” was not so much a rejection as it was pure curiosity, like riding a train past an apartment building at night, looking briefly into as many lit windows as possible."
Is ChatRoulette the Future of the Internet or Its Distant Past? New York Magazine (via somethingchanged)
"As Internet culture has grown, we’ve come to romanticize certain kinds of unmediated, old-fashioned “human” interactions. But this fantasy ignores how much of normal social interaction is fleeting, bite-size, instant, tweetlike. Humans have always talked to each other via a kind of analog Twitter. These new technologies just get us there with maximum efficiency. Meeting a new person is thrilling, in a primal way—your attention focuses completely, if only for a nanosecond, to see if the creature in front of you has the power to change your life for better or worse. ChatRoulette creates this moment over and over again; it privileges it over actual conversation. Eventually, I realized that clicking “next” was not so much a rejection as it was pure curiosity, like riding a train past an apartment building at night, looking briefly into as many lit windows as possible."
Is ChatRoulette the Future of the Internet or Its Distant Past? New York Magazine (via somethingchanged)
Parisian Love (via SearchStories)
I was away last week and so am late to the party when it comes to commenting on the fight between Amazon and book publishers. Here are a couple of observations.
First, I was surprised it took so long for this fight to start. It is a great example of what I call “fighting over the digital pie.” What was most fascinating about it is that none of the publishers even made a mention of how much authors would receive. At present, this is all about trying to support the existing cost structure of publishers with strong parallels to the fight between networks and cable.
Second, there has been some discussion around what it actually costs to put out a book today and how that might change with ebooks. The debate seems to be largely between two extremes: either that ebooks should be much much cheaper (often unsubstantiated) or that the only cost to actually go away is PP&B (paper, printing & binding) which makes up only a small portion of the total cost. Looking at several actual breakdowns of costs, not surprisingly the truth is likely to be somewhere in-between. Pre-production costs will remain for ebooks and depending on the number of formats and additional markup could actually go up a bit. But marketing costs are up for grabs as authors can start to build their own audience via blogging and books can be discovered via social networks. Wholesalers should go away and retail margins should be highly compressed. Publishers’ cut too is likely to get compressed as their value-added diminishes in a world where authors can be directly in touch with readers. Taken together, I believe that at least 50% of the existing cost basis of the book business could be obliterated for ebooks.
Third, even with a reduced cost basis, if ebooks are to be traditionally priced (which is to say the same price for each copy), they need to succeed with DRM, something that the music industry failed at. Personally, I abhor DRM because of its implications for computing devices (closed, not hackable, not trust worthy). But I am afraid that for the first time we are getting close to highly DRM’d general purpose devices succeeding in a mass market due to their superior design and user experience. It would be quite a Faustian bargain for all of us to accept DRM in the name of convenience and design. More on that in a separate post — until then I suggest reading Alex Payne’s post on the iPad.
Fourth, nobody seemed to suggest that charging the same price for a book to each reader is an antiquated idea. A literal adaptation of the historic price discrimination model of starting with a hardcover and then moving through softcover to mass market paperback shows a lack of imagination. There are many better and more effective ways of capturing consumer surplus for digital goods. Think Farmville!
Fifth and finally, throughout most of the discussion there appears a presumption by publishers and authors that there is some kind of god-given right, or short of that a cultural mandate, for them to be able to cover their costs. That view seems to ignore most of the history of publishing during which great works were authored but very few people made a living off it. I am convinced that we will see great books published in the future completely independent of the business model (or lack thereof) of the publishing industry and the income from book sales to authors. Whether it is mico-patronage a la Kickstarter, or income from a day job a la Rowling during the early Harry Potter work.
I am hopeful that in the end we will make it to a DRM-free ebook future with a new renaissance of content but for now it looks like we will have to watch the titans battle it out.
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